Piece of music - Andrew Robbie's "Damp Leaves & Conversation"īeing able to have precise tunings and multiphonic predictions for any given fingering was an incredible timesaver. ![]() I required a fingering for the final flourish of high notes landing on a sharp E7. Piece of music - Chris Dench's "Closing Lemma" Carl Rosman told me I'm the only flute player in history who has ever been able to play this bar.įingering - C foot 1 2 | 3 tr2 D# (split E) I found useful fingerings for most of these notes. Sharp C7 - sharp B6 - E7 - flat D7 - flat E7 - D7 - flat Eb7 - Bb6 Piece of music - Richard Barrett's "What Remains" for flute, bass clarinet and piano The fingerings I found were useful for the passage:Īlthough these fingerings are simply an overblown first register, I didn't think of it at the time. I searched for fingerings which did not include the tr1, tr2 and gizmo keys. The passage was:Įb6 - F6 - Eb6 - F6 - Eb6 - D6 -Eb6 - F6 - G6 I came across a slurred, fast passage which, although was not exposed, was tricky to execute. Piece of music - Liszt's Piano Concerto No 1, flute part 1 This fingering is not found in "The Other Flute" by Robert Dick. It is only easily playable on a flute with a split E mechanism. This new note is playable on flutes with C foot and B foot. This finding is useful in contemporary music as this fingering makes the note much easier to play, particularly when pp, than the standard fingering. This fingering was returned at the top of the search, producing a brilliantly clear F. In the acoustics lab we searched for fingerings for high F (the fourth one on the flute), ordering the search by playability. This fingering, listed at the top of the search, is comfortable and the tuning is adequate for a tremolo. I also ordered the fingerings by playability. I searched for a fingering for the F6 which included the keys of the A6. My problem fingering was a tremolo from F6 (Th 1 3 | 1 D#) to A6 (Th 2 | 1 D#). This good fingering alleviated the problem, although it's a very sharp D#6.įingering - C foot Th 1 2 3 | 1 tr2 D# (split E) It's far too easy to split the last B and slip up to an F#6 instead. It required an acciaccatura from B5 (B above the stave) to E6 (The E above that). Piece of music - Stravinsky's "Firebird" Suite, flute 1 part
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